‘The Pentaverate’ is a reminder of what Netflix took from us

Wanna know what I miss? Mid-budget studio comedies, the sort that filled the gaps in cinema’s annual calendar. The sort of lightweight, low-energy fare you and your friends could watch on a Saturday morning in the multiplex. Often they’d feature a Saturday Night Live alumnus on an initial foray into the movie industry proper, but just as equally not. Sometimes the films did well, but more often not, would underperform until it developed a second life on late-night cable, video rentals or even DVD sales. You know, stuff like So I Married An Axe Murderer.

There aren’t many cinema-released mid-budget comedy movies these days, and for good reason. Comedy is a more subjective artform than, say, action, and doesn’t travel as well around the world as, say, action. There’s no room these days for an unadulterated comedy movie with a budget in the low-double-digit millions given the economics. Hell, even something as flat and awful as Holmes and Watson cost $42 million, and couldn’t recoup that figure at the box office. I’m sure that film, too, will eventually catch on with some future generation of kids and stoners who delight in it as much as I have a soft spot for …read more